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How I Became a Famous Pickup Artist : Part 2

This is a continuation of the story, How I Became a Famous Pickup Artist Part 1. If you haven't read that already, you should do so before reading this article.

Papa was notorious for being in contact with everyone in the pickup scene. I couldn't blame him, either - he was the business side of "Real Social Dynamics", a company that taught seminars and workshops to aspiring players. Not surprisingly, he was the only person at the seminar that I knew.

In order to extract every last precious second out of my experience, I had gotten on the earliest flight to Chicago that I could book. I called Papa when I arrived at the hotel at 10am. I could hardly make out his voice. He'd been out in the clubs until very late and was still sleeping.

Daily Rituals: How Artists Work (book quotes and review)

On Mike Dariano

Daily Rituals: How Artists Work was the final book I read in 2013. The collection of over two hundred rituals from artists of all mediums was filled with quirks for a variety of creative types. My favorite nuance was that Benjamin Franklin preferred air baths to water ones. Among the artists quirks, there were some patterns that came through, walking for one.

Many of the artists featured in the book took walks, mostly after lunch. Beethoven would walk with a pencil and "a couple of sheets of music paper to record chance thoughts." Soren Kierkegaard would get ideas on his walk and need to hurry home to record the thoughts before they escaped him. Charles Dickens wrote that during walks he was, "searching for some pictures I wanted to build upon."

The artists knew too, that focus during their post productive hours was paramount. For most of them this meant work after breakfast and it meant no distractions. Thomas Mann closed the door to his study and forbid his children to make any noise until noon. William Faulkner chose to work in a library with no lock, so instead he simply removed the doorknob and took it with him. Dickens had an extra door installed to block out noise.

There is also a theme that the artists need their routines. Twyla Tharp wrote in her book, The Creative Habit, that routines and rituals allow us not to think about things and devote our energies to pro-creative thoughts. Stephen King wrote that when he's not working he feels at odds with himself. Tolstoy too, "I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine."

A smaller idea that circulates among the modern writers included in this book is that little bits add up. Joseph Heller wrote, "If I write a page or two a day, five days a week, that's 300 pages a year and it does add up." Though Heller did give up on writing Catch-22 once to start watching television with his wife, but television drove him back to Catch-22. Joyce Carol Oates too praises small steps, "if I retain only a single page from a full day's work, it is a single page, and these pages add up."

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