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Pina

I was going to just email this to Tynan but noticed Tynan.com is running on SETT now so figured, what the hell, I'll share it with everyone.

The reason I came to the site was to find the quote from his post on meditation. It's the first sentence of the post. "The thing that really scares me is spontaneous personal expression."


That's certainly the case for me, too, and of all my fears, pushing on that one has been the most rewarding thing I've ever done. Eight years of western therapy and western Buddhist meditation have done a lot for that particular fear but it's still the strongest. I'm afraid of heights and falling and injury and public speaking all sorts of other stuff but working with those fears is nothing compared to the fear of expressing myself, especially in ways that I don't already identify as "things I'm good at" or "things I'm proud of."


I went to the Game Developer's Conference last week, but only managed to attend two talks other than my own (because I was still preparing for my own) but one of them was by John Sharp, an art historian, academic, and game designer who teaches at Georgia Institute of Technology. His was a talk on Abstraction in art and game design. He talked about a lot of stuff: painting, photorealism, photography, Jackson Pollock, Islamic religious art, dance, and more I'm forgetting, but one thing that struck me was the trailer clips he used from Wim Wenders' "Pina", a documentary film about Pina Bausch, a choreographer I'd never heard of, but Wikipedia told me was one of the foremost influences in modern dance over the last 30 years.


Then I got back to Seattle and completely coincidentally a friend had posted on Facebook about it playing at a theater here, and about wanting to see it. I bought tickets and saw it tonight.


First, it's the first and only 3D movie I've seen where the 3D was not just a dumb gimmick. It was integral: it felt like you were on stage watching all the dance. Second, the dance was all incredible. And third, and most important, it did an incredibly job of showing how modern dance is a practice of - and performance about - overcoming that deepest fear of personal self-expression. Bausch died days before the film began shooting, so it became a tribute to her, but has no interviews with her directly. Instead, her dancers talk about how she was constantly challenging their fear, pushing them out of their comfort zones, driving them to explore the deep yearning that motivates them, and inviting them to scare themselves and others with the intensity and intimacy of their work.

I cannot recommend this film highly enough. Like I said, I was just going to tell Ty he should try to find a theater showing it because I think he'd love it, but I'd say the same for any reader of this blog. If Tynan's words and attitude resonate with you, I bet Pina will too. It's a real masterpiece.

Inside Out

On Made of Metaphors

In Buddhism there's this great concept of near-enemies and far-enemies. Two things are far-enemies if they are polar opposites: the far enemy of compassion is cruelty. But near-enemies are more subtle: they seem very similar at first, but when you look deeper, they're still opposites. The near-enemy of compassion, for example, is pity. They kind of seem like the same thing, because both mean you "feel bad" for someone else, but compassion is dignified and brings you closer together. Pity is condescending. It distances you from the other person.

Far-enemies aren't that interesting to me because they're pretty obvious. Polar opposites. Ho-hum. But I love near-enemies, because there's a lot to talk about in the subtlety.

So let's talk about two of the biggest near-enemies of all: self-consciousness and self-awareness.

Superficially, they seem very similar. Both of them are about paying attention to yourself, your thoughts, words, and actions in the present moment.

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