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You Aren't What You Buy

When I was in college, I bought a Rolex. In the week or so that I waited for it to come in the mail, I got really excited about the idea that I was going to have a Rolex. To me, someone who had a Rolex was a different type of person, simply because he bought a fancy watch.

The watch showed up, and it was obviously a fake. I took it to a jeweler, just in case, and he confirmed what I already knew.

But by then it was too late. In my head, I was a Rolex type of guy. So I bought another one-- a real one this time.

Picking from your Past.

On The Best of Sett

I recently took a voice lesson. I've been working on composition so much in my music work lately that I've let a couple of performance skills atrophy a bit. Noticing this, I signed up for voice lessons to make sure my (already limited) range and technique didn't completely wither.

I've studied music quite a bit in the past, but never with someone like this. Like myself (but not for voice), this teacher studied formally in college, learning classical and operatic technique, but has come to living the Brooklyn indie-rock musical life instead. (To anyone rolling their eyes at that, it's quite a powerful combo, the stereotypical shaggy guy in a plaid shirt who can sing a perfect Aria or identify any concerto) I've always liked this idea of learning as much as you can, then picking what's relevant to apply to your situation later. I did this in the past by spending years studying jazz saxophone with some of the best players around New York City, and later applying most of the knowledge in harmonic choices as a singer-songwriter and guitarist in an indie-rock band…not an obvious use of such skills, but it really worked well!

This voice teacher, went about things a little differently. He studied formally like I did, then after school he threw out everything he learned and tried writing/performing/recording being purposely absent-minded of what he learned. He did the opposite of every technique and every rule the conservatory world preached to him.

He then had polarizing approaches to compare to make a choice for his third act. The music he's making now is his most excellent and he supposes it's due to the fact that he's now making choices based on the best of each of the prior two situations. Pulling back some of the conservatory technique, as well as using tricks he only would've learned by purposely not following the rules.

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